Archive for the ‘africa’ Category

High-end African design debuts in New York, NY

Wednesday, May 20th, 2009

As you may recall, I’ve shared some sustainable design and development stories from Mozambique while working with Allan Schwarz. The whole team is super excited to officially be launching the a.d. schwarz line for the first time in New York with some limited quantities of handwrought sustainably-harvested wood jewelry and Sofala plates. You can read more about the project below. The items will be available at Linhardt Design on 156 1st Avenue. 

The Sofala Plate is one of the most popular and iconic pieces of the a.d. schwarz collection. The large size, intricate detailing, and one-of-a-kind artisan craftsmanship makes this piece the epitome of fine African art. Plates have been showcased in Museums across South Africa. Each piece is hand cut and has a unique look, dually from the actual artisan’s technique and the quality of the wood from start. One plate (depending on skill level of worker) takes 7-8 months to complete, from harvest to drying to drilling to cutting/fitting to polishing to hand-polishing. Approximately 2-4 plates are finished every week. Artisans are paid on a per piece basis. Meals are provided during days of work and funding for children’s schooling is also built in. Sustainably-harvested, Carimbo Verde stamp, Fair trade, African-made. Photos: Esther Havens

Mentoring. Allan shows one of his artisans a tagua nut that he picked up from one of the local palm trees. He gets the idea of maybe using them in the plates.

Harvesting. Wood from fallen or pre-harvested trees are cut lengthwise to maximize number of plates from trees. Wood is of all different quality and often has inconsistencies or holes (as shown above). These will later be drilled out and repaired with different wood designs (as seen below).

Drying. After plates are harvested and rounded, they are set to dry for a minimum of 6 months, to minimize shrinking and warping when working with the wood. 

Drilling. Oswaldo drills as his colleague holds the plate in place. The drilling occurs around areas of the plate that need wood insertion. This may be because there is a crack in the plate or a hole. 

Cutting and Fitting. After drilling, shapes are cut out of the plate and solid pieces of wood - usually a different variety and color altogether, are meticulously cut to fit exactly into the incision. This often takes a few tries, and involves slicing, sanding, and hammering the wood into place. 

Sand and Polish. After the wood designs are in place and quality control is done, artisans use a machine to sand down the plates and give them a smooth finish.

Hand-Polish. When plates are finished, each individual will then hand-polish their plate with a natural beeswax and African essential oil finish, accentuating the natural wood grain of each plate. All woods are the natural color - from deep mahogany reds to inky blacks.

 

Watch plates being made. Film by: Summer Rayne Oakes

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We’re launching a.d. schwarz in New York!

Thursday, May 14th, 2009

Stop by at Linhardt Design on 156 1st Avenue in New York, NY to view the a.d. schwarz collection of sustainably-harvested African blackwood bracelets and one-of-a-kind, handcrafted plates made from second-recovery and sustainably-harvested noble woods. This is part of the sustainable development-design project established by my most cherished colleague, architect & tropical forest ecologist, Allan Schwarz. Read more about accounts from Mozambique here

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darkness cannot drive out darkness

Friday, April 24th, 2009

April is Genocide Prevention Month. It’s a focused period to call for a strong policy framework that is committed to the prevention of genocide. This is not an easy topic to breach, nor is it an easy one to read. I’ve selected a list of titles below that testify to the historical realities, human tragedies, and haunting imagery of genocide. For those who have survived to tell their stories may I say, “Thank you for your courage under fire and your strength to share your fight to live…may your stories be the light that drives out the darkness.” For those of you reading this, I apologize if the images below disturb you. 

This photo of a Rwandan woman embracing the daughter born from rape during the Rwandan genocide in 1994. When the genocide started, the mother, Joseline, was married and two months pregnant. Her husband was brutally killed in front of her. She was raped even through her first pregnancy and quickly thereafter, which resulted in giving birth to her second daugther, Leah, whom she infected with HIV after contracting the disease from her rapists. 
During the 1994 genocide, Ugandan fishermen found themselves pulling dozens of bodies out of Lake Victoria. The badly decomposed bodies had traveled hundreds of miles by river from Rwanda. Photo: Dave Blume

 

We Wish to Inform You That Tomorrow We Will be Killed With Our Families: Stories From Rwanda, by Phillip Gourevitch  - This was the first book on genocide that I ever read. It was given to me by Maria who had read it over a few times before bestowing it on me. 

Fools Rush In: A True Story of War and Redemption, by Bill Carter - I met Bill at my friend, Larry’s house in Venice, CA. Like me, he was passing through and looking for a place to crash. He gave me his copy of the book, which details his surreal experience in Sarajevo. 

A Long Way Gone: Memoirs of a Boy Soldier, by Ishmael Beah - This is an engrossing firsthand account of a courageous boy from Sierra Leone. It was the third book I picked up. In eleven years of civil war, an estimated 150,000 people died, more than half the country was rendered homeless, 600,000 refugees (12% of the population) fled to neighbouring countries, more than 200,000 women were raped, and about 1,000 civilians suffered the amputation of one or more limbs.

What Is the What: The Autobiography of Valentino Achak Deng, by Dave Eggers - This is a harrowing tale of Valentino who has survived more atrocities and losses in life that I can’t even imagine. I became so absorbed in this book that I often missed my subway stops. Highly recommended. Please check out his foundation too. 

Say You’re One of Themby Uwem Akpan - I just started reading this book, which is particularly powerful because it is seen and told through the eyes of children. Revealing, disturbing, emotional, brutally honest. Takes place all over Africa, including Nigeria and Kenya.

First They Killed My FatherA Daughter of Cambodia Remembers, by Loung Ung - This is next on my reading list. From Amazon.com: Written in the present tense, First They Killed My Father will put you right in the midst of the action–action you’ll wish had never happened. It’s a tough read, but definitely a worthwhile one, and the author’s personality and strength shine through on every page. Covering the years from 1975 to 1979, the story moves from the deaths of multiple family members to the forced separation of the survivors, leading ultimately to the reuniting of much of the family, followed by marriages and immigrations. The brutality seems unending–beatings, starvation, attempted rape, mental cruelty–and yet the narrator (a young girl) never stops fighting for escape and survival. 

There are many more titles out there. Check out some of our other picks with the American Bookseller’s Association “Books of Conscience” List

 

Darkness cannot drive out darkness only light can do that. 
Hate cannot drive out hate only love can do that. Hate multiplies hate, 
violence multiplies violence, and toughness multiplies toughness in a 
descending spiral of destruction….The chain reaction of evil – 
hate begetting hate, wars producing more wars — must be broken, 
or we shall be plunged into the dark abyss of annihilation. 

~Dr. Martin Luther King Jr. (1929-1968)

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The top 10 coolest African fair-trade fashions

Tuesday, February 10th, 2009

One of the best parts of working in Africa is learning about all the amazing community sustainable development-design projects cropping up over the continent. Often fueled by the passion of one or two unrelenting entrepreneurs in the face of many challenges (i.e. civil unrest, scalability, export hurdles, disease, natural disasters, training/education, etc.), these standout programs have begun to permeate our cultural swerve. 

From beading and silverwork to textile design, Africa as a whole has a rich, often untapped talent pool of skilled artisans, many of which are captured here. Clearly there are many more to mention, so I’ll be sure to do a follow-up post, but holler out if you have a program that you want the community to hear about. 

ETHIOPIA

BOSTEX (“By Ourselves Textiles”)

Solerebels is the premiere brand under Bostex PLC and the first footwear manufacturer in Ethiopia founded by Bethlehem Tilahun Alemu and her family. The key is to bring a viable footwear and textile industry to Ethiopia and utilize materials from the local area. The IFAT fair trade-certified brand ranges in style from sandals, shoes and mocs – and are available on Amazon.com, Endless.com, and have been featured in Urban Outfitters and Whole Foods. 

GAMBIA

KENZA 

Your children can totally rock out these boldly-designed, indigenous African print clothes created by expert tailors in Gambia. Deep cerulean blues juxtaposed with dandelion-yellows and rich reds as deep as an African sunset are hand-painted on African batik materials purchased in Gambia. www.kippcompany.com

GHANA

GLOBAL MAMAS

This is the woman-powered brand behind Women in Progress, and international non-profit organization that assists women in African in attaining economic independence. All the beading, batik, dyeing, and sewing is done with girl-power in the West African nation of Ghana. The cooperative takes it back old-school style to the ancient art of of batik, which originated in Java and was passed down to artisans in Ghana. Beads are made from 100% recycled glass; and all dyeing and sewing takes place in the cooperative. globalmamas.org

KENYA

ECOSANDALS

Akala Designs Limited is a cooperative-run business based in Nairobi, Kenya that produces products for Ecosandals.com, a non-profit importer and reseller of sandals. Products are produced from used materials- like recycled tire tread rubber collected from the Korogocho neighborhood and surrounding areas. Other materials include locally-sourced denim, leather and beadwork. Ecosandals.com

LISA LINHARDT DESIGNS

A cool little jewelry boutique bedecked with reclaimed hardwood and fine bijoux sits comfortably on 1st Avenue in New York City between 9th and 10th Streets. Founded by Lisa Linhardt, this shop houses a personal history to a 100-mile walk she took in Africa to raise funds for girls’ literacy. It was on her travels where she met Maasai and Kikuyu beaders. Lisa’s most poignant experience, she says, was during her volunteer trip captured here to the Kibera slum where she met the Power Women’s Group. The cooperative housed HIV-positive women who came together to support one another, share stories and bead. Many of the Kenyan women create beadwork sold in Lisa’s shop or are occasionally re-designed for the urban marketplace. linhardtdesign.com

MADE

Be bejeweled with the highly coveted baubles and bling from Made, a fair trade jewelry line expertly finished by artisans in Kenya. Made has partnered with designers such as Nicole Farhi (by Pippa Small), Alexa Chung, Natalie Dissel, and in their newest collaboration with Brian Crumley for Urban Outfitters. Their products can be seen all over London, including TopShop. made.uk.com 

MOZAMBIQUE

A.D. SCHWARZ

Deep in the heart of the Miombo Biome lies the Mezimbite Forest Centre, an oasis of green halfway between Beira and Dondo in the South Central part of Mozambique. This “oasis” is the result of one man by the name of Allan Schwarz: Architect, designer, forest ecologist,  and steward of the land–who singlehandedly set out to reverse the course of deforestation in his beloved forests that he grew up with as a boy. One of his programs, a.d. schwarz, is a luxury label of wooden jewelry, furniture, and wares that utilizes sustainably-harvested wood with the purpose of conserving forest resources, replanting forests and training artisans to live on the land with the forests as opposed to destroying them. The exquisite workmanship of the African Zen designs–made from African blackwood to machata, for example, stand on their own, but house a deeply penetrating story of the forest from which they came. adschwarz.com and allanschwarz.com 

NIGER

OMBRE CLAIRE

This is African design with a definitive Parisian flair. Parisian-based Aude Durou grew up as a young girl in the deserts of Niger, traveling on the heels of her landscape-photographer father. There she grew up with the Tuareg, a West African pastoralist nomadic tribe from Niger who have a strong history of carving beautiful silver accessories which they adorn on their heads and bodies. The Tuaregs, who refer to themselves as Kel Tamasheq (”Speakers of Tamasheq”) have preserved their culture through the years and their spiritual designs and symbols are carried through the Ombre Claire line. Through her love for the Tuareg peoples, their high quality craftmanship, and her commercial savvy, she has created an exquisitely remarkable line of fair trade, silver talismans steeped in the rich history of the Tuareg peoples. ombreclaire.com 

UGANDA

PAPER TO PEARLS

Paper to Pearls, an initiative of Voices for Global Change, is a beading initiative that brings the voices of Uganadan women’s struggles and hopes to the forefront of fashion. The colorful paper bead jewelry is handmade by women in the internal refugee camps of Northern Uganda who have been displaced by years of internal conflict by the Lord’s Resistance Army. Each bead is carefully rolled by hand and cut from strips of calendar paper and secured with glue, varnished and assembled into necklaces. The women’s dexterous workmanship is transformed into bold colors that can be worn singly or layered on. papertopearls.org

For more information on inspiring sustainable design and development stories, pick up the newly-released book “Style, Naturally: The Savvy Shopping Guide to Sustainable Fashion and Beauty” at Amazon.com, BarnesandNobles.com, Borders.com, and BetterWorldBooks.com

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Where the fire burns: An account from Mozambique

Sunday, February 8th, 2009


Mozambique Diaries 

An account by Summer Rayne Oakes 

Esther, Allan and I on the long road through Mozambique. ph: Esther Havens

Esther, Allan and I on the long road through Mozambique. ph: Esther Havens

 

 

 

 

 

We pulled up to the small transportation town on the Zambezi about 45 minutes behind schedule. A queue of cars was parked perpendicular to the great river. Drivers in pick-up trucks that carried 30 men deep waited around the vehicles, laughing and mingling. There is no bridge crossing the Zambezi. Instead a giant ferry—an inefficient transportation system perpetually funded by the Dutch government—carries cars and passengers across for a few metical per person. Not a bad deal, considering that 24 metical equal about 1 dollar in the U.S. The ferry was in no danger of coming, so Esther and I nosed around the town for a cold draught of Coca-Cola. Prices in towns are always a little high. I probably got charged too much, but I didn’t care. I got a soda for Allan and me since I knew he would never buy himself one. It was made very clear on the trip that our inimitable host, (who is a native African, though the fair-skinned variety), is consistently annoyed by those that charge higher prices based on his skin, and would often leave the shifty ragtag mango and drink sellers that approached our car in a cloud of choking dust. 

Passing by a town on the way to the Zambezi. ph: Esther Havens

Passing by a town on the way to the Zambezi. ph: Esther Havens

The Zambezi is the fourth longest river in Africa, threading through dense Miombo forests, croc-infested dambos, and in many cases, barren land adulterated by the human hand. It has its source in Zambia and pulses it’s snaky blue-brown body through Angola and slithers along the borders of Namibia, Botswana, Zambia, Zimbabwe, and finally through Mozambique, where it can boast being the largest river that empties into the Indian Ocean. For site-seekers of Africa, they’ll know that the Zambezi feeds the continents most precious natural feature and the world’s largest waterfall: Victoria. 

A dozen or so bare-assed boys, glistening like black onyx, frolicked in the muddy waters. It was nice to see the young Mozambicans putting condoms to good use—as inflated latex balloons tied to sticks that had an uncanny resemblance to delicate lacewing egg masses waving in the breeze. The site was paradoxical, if not borderline comical. It’s the type of sick humor that is birthed out of tragically-unfortunate situations and accompanies statements like, if AIDS were funny, it would look like _____. AIDS and Mozambique go hand-in-hand. It’s currently estimated that 2 million people are living with HIV or AIDS in the country, constituting a prevalence rate of about 14 percent, putting Mozambique among the top 10 most affected countries in the world. Within two more years, the number of children orphaned by AIDS will escalate to 900,000.1 Out of the eleven provinces in Mozambique, Sofala, where Allan’s main operation lies—and our ultimate destination, falls in the top 3 highest in AIDS rate at 18.7 percent, just behind Manica (21.1 percent) and Tete (19.8 percent). 

Naked Mozambican boys frolic with inflated condom balloons in the Zambezi. ph: Esther Havens

Naked Mozambican boys frolic with inflated condom balloons in the Zambezi. ph: Esther Havens

At an HIV/AIDS-testing unit we passed on the road for out-of-town truck drivers, test results came back as 100 percent positive. Every single person passing through the testing facility had the AIDS virus. The results were so shocking, if not utterly unfathomable, that the mother organization back in Europe sent a team to have all the samples retested. Much to their surprise and horror, the results were conclusive. Everyone had AIDS. 

A boy casts his eyes off into the distance in N. Mozambique. ph: Esther Havens

A boy casts his eyes off into the distance in N. Mozambique. ph: Esther Havens

That’s just one of the harsh, matter-of-fact realities insidiously eating away at the confidence of this forgotten country. But if you think AIDS is the main issue, therein lays a deeper concern: Education. More specifically I mean the education of women: the hardworking backbone that will be the phoenix out of the golden red fire that the country has seemed to light under itself. Of the adults living with HIV/AIDS, an estimated 57 percent are women.2 The contraction rates are clearly correlated to the low educational level and exceedingly high illiteracy rates among women. The gender imbalance is so stark in Mozambique (Allan says it’s even bad for Africa), that women rarely ever get a chance to get a decent education. Instead, they are sentenced to a life of subordination: tilling fields, building homes, preparing food, collecting firewood, bearing children, and preparing any item—from charcoal to litchi fruits for their unfaithful husbands to sell on roadsides—money that will ultimately end up in the men’s empty stomachs in the form of bootleg banana booze. 

Women hoist tea tree trunks after harvesting at the Mezimbite Forest Centre. ph: Esther Havens

Women hoist tea tree trunks after harvesting at the Mezimbite Forest Centre. ph: Esther Havens

Being a woman, it’s hard not to play out in my mind a peaceful, yet powerful uprising of these women—hoisting their country onto their heads, as they effortlessly do with a bundle of trees. I’m no feminist, but I delight in the idea of a liberated Mozambican woman waving her fist in the air after standing up for herself and arm-wrestling her nation’s men to their knees. (God knows a lifetime in the fields have disproportionately given the women bigger shoulders, forearms, and hands than their male counterparts anyway!) 

Somewhere between my daydreams of The Great Liberation of Woman and the idea of a bare-assed boy and his condom balloon being snapped up by a hungry Zambezi croc, (which Allan says is quite common)—the ferry appeared. The flat, black beast parted the waters as it approached the sandy shoreline, sending the croc-cavorting kids fleeing in all directions, covering their tiny peckers from laughing eyes and Esther’s camera lens. 

Car engines geared up in crescendo as the gaping, black ferry ramp yawned open, slapping the water as it fell. Trucks roared up, some skidding wheels, and a hundred or so people vaulted themselves from watery shore to mouth of the ferry, like a giant exodus of people praying the grass may be greener on the other side of the river. 

Hand dug canoes sit in the water of the Zambezi. Bike in foreground. ph: Esther Havens

Hand dug canoes sit in the water of the Zambezi. Bike in foreground. ph: Esther Havens

For how long the wait for the ferry is, the trip across the river is surprisingly fleeting. Traversing it is exciting, nonetheless. Perhaps after a long car ride, it’s refreshing to be on another mode of transportation, where you are overlooking endless miles of water as opposed to endless miles of beat-up land. You’ll have to forgive me because I don’t mean to diminish its grandness from the perspective of a road-weary traveler. Crossing it seems like a rite of passage in Africa. The dry terrain somehow makes you hold it in a higher esteem. The waters seem to hold a sway over you, much in the same way that I’m sure many of the men in hand dug-out canoes have felt over the centuries. 

Road aflame: A common site in Mozambique. ph: Allan Schwarz

Road aflame: A common site in Mozambique. ph: Summer Rayne Oakes

By the time we reached the other side of the river, we could feel the darkness setting in. The miles and miles of endless dusty roads and  bamboo houses slowly transform into a beastly specter, rearing its ugly head like an animal caught eating its young. Chestnut-colored women with bent backs look over their shoulders with torch-fires in their hands, setting the short wicks of their own lives aflame until they are swallowed up and extinguished. The little greenery that exists in this once lush terrain is gathered at night and burned in bonfire-heaps in order to clear the land for no apparent reason. In the morning, the women are tasked to look for firewood to cook meals, the same wood they haphazardly burned the night before. 

Women burning grassland to clear for farming or for small rodents. ph: Allan Schwarz

Women burning grassland to clear for farming or for small rodents. ph: Allan Schwarz

The darkness looks like a warzone. Serpentine fires flick their orange flamed-tongues to taste the inky black night. Gray smoke bloats and tumbles over the streets in ghostly waves. Shadowy humanoid forms nightmarishly emerge from the wreckage like haunting zombies. Their soot-cloaked faces fade into the pitch black night, forcing you to squint and slow down so as not to clip one with the side of your car. Allan is morose. Or serious. Or deep in thought. He’s haunted. I can’t tell if he hates driving at night because he’s afraid of killing someone accidentally with the car, or because he sees what he fightsstrongly for sucked up in seconds by the rapacious flames of human despair. Like a priest under the guise of night, all the world’s sins are revealed like an open wound. The reality of poverty seems much more apparent now. And it strikes you in the hot oily night like an ice pick to the spine. 

 

Fires burn like a deadly specter into the dark hours of the night. ph: Summer Rayne Oakes

Fires burn like a deadly specter into the dark hours of the night. ph: Summer Rayne Oakes

INE, MISAU: Impacto Demográfico do HIV/SIDA em Moćambique, 2002

Commission of HIV/AIDS and Governance in Africa. Mozambique: The Challenge of HIV/AIDS Treatment and Care

 For more sustainable design and development stories and personal vignettes from the front lines, check out the just-released book, “Style, Naturally” available on Amazon.com.

Also view this post on HuffingtonPost.com.

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Charity: Water brings in the $ for clean water projects

Monday, December 22nd, 2008

Charity: Water’s December 2008 ball took place this past week at the Metropolitan Pavilion. I got to have some down time with Scott (the founder) in Mexico, which doesn’t really happen all that often. Scott gave a riveting talk in Mexico at The Summit and it brought nearly a third of the group to Charity’s benefit, which was a good enough reason for a reunion. It was a tremendous turn-out. They raise $450,000 for clean water projects across 17 different countries and 100% of the money raised goes directly to the programs. In addition to the Summiteers (Josh, Eben, Graham, Nikki, Ben K., Ben H., Caroline, Natali, Elliot, Alex, Ryan, and the list goes on)– I got to see Esther again, who had just come back from documenting Charity’s projects in Kenya (and provided most all the photos you see here). Would love to have her join me again this coming year to Mozambique; let’s see what we can work out.

Regardless, if you’re interested in giving to a charity, I’d highly recommend looking into Charity: Water. You can check out their “Give on your Birthday” program, which has been a highly successful fundraising model. Though I know there has been issues with regenerating aquifers in various parts of the world because of improper well drilling and lack of water conservation, the Charity mission is a strong one and restores faith in people’s idea of what charity is because 100% of the public’s money goes to basic water and sanitation facilities in developing nations.

summer_adrian

It was terrific to catch up with Adrian. We pledged to get some friends together for another dinner at his house. And if you fashionistas are curious about my outfit: It’s a brilliant hemp-silk vintage-inspired dress handmade by Carasan with hand-sewn glass beads and a fair-trade kalamkari purse by World of Good. As mentioned in an earlier post, the awesome feathered headgear was acquired at the coolest little Brooklyn sample sale from a number of my sustainable style peeps. Photo by Emma Grady over at Treehugger.com.

summer_emmagrady_rosecouzens

Emma, Rose and I pose for a picture.

Photos by Esther of Esther’s photos from Rwanda



The displays were impeccably done. Scott’s team does an impressive job in communicating Charity’s message.

I had plenty to talk about with the Teen Time Live crew.

Esther and I take a T.O. for a sexy little shot.

a cute candid capture by Andrew Bicknell

(more…)

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